A special single release from Noon Fifteen about what motivates us to leave our homes and protest during a public health crisis. Recorded in — and set to the sounds of — self-quarantine.
The band chats with Dan Cole (over Zoom, of course) about staying creative while isolated from one another, the inspiration (both musical and lyrical) for this unusual original tune, and the challenges of creating collaborative music remotely.
Watch and, hey, listen:
In honor of the third annual Finger Lakes Thaw festival, and the global onset of COVID-19, Noon Fifteen presents “Thaw,” a mini-suite about winter dangers at home and abroad. The song moves through four seasons of soul, metal, progressive rock, and New Orleans funk.
Dan Cole talks to Sam and Mandy about the life-threatening story (and rental property) that inspired the song, and Phil discusses playing hand drums without his hands. Joe and Harry’s children make guest appearances.
In this super-sized Halloween episode, Noon Fifteen gathers at Sunwood Recording in Trumansburg, NY to discuss At the Festival, their new 22-minute, multi-movement suite. At the Festival tells the story of a man in mourning whose trip to a music festival takes a dark turn toward the supernatural. Harry, Sam, Mandy, Joe, and Phil are joined by studio owner/engineer Chris Ploss, who recorded and mixed the project, and regular host Dan Cole, to dive into the writing, arranging, and recording of this mini rock opera.
The band talks about the challenges and delights of ushering the narrative-driven piece from Harry Nichols brainchild to complete recording, and how their past projects and influences coalesced to create something new in At the Festival. Plus, the usual array of jokes and snide remarks you’ve come to expect from Noon Fifteen. As usual, you’ll hear the finished product at the end of the episode.
At the Festival is composed by Harry Nichols, except for part VII by Harry Nichols and Samuel B. Lupowitz.
Recorded & Mixed by Chris Ploss at Sunwood Recording, Trumansburg, NY
Additional Recording by Samuel B. Lupowitz
Mastered by Matt Saccuccimorano, Scaramanga Industries
Artwork by J.P. Feenstra
Other music heard or mentioned in this episode:
“Dear George” – Harry Nichols Band (from This Isn’t the Album You’re Looking For, 2014)
“At the Festival (original demo)” – Harry Nichols & Samuel B. Lupowitz (2016)
“The First Time” – Between Walls (from The Currency, 2006)
“Machine” – Baku (from Poison with Perfection, 2014)
“Walk This Way” – Run DMC ft. Aerosmith (1986)
“Walk Back” – Medeski, Martin & Wood (from Radiolarians III, 2009)
“Too Many Puppies” – Primus (from They Can’t All Be Zingers, 1990)
“Robot Hell” – from Futurama (1999)
“Golden Slumbers” – The Beatles (from Abbey Road, 1969)
“In the Flesh?” – Noon Fifteen [Pink Floyd cover – live at The Loft, Ithaca, NY, December 2017 – Dan Collins, drums] (originally from The Wall, 1979)
“Heaven on Their Minds” – Murray Head (from Jesus Christ Superstar, 1970)
“A Bower Scene” – The Decemberists (from Hazards of Love, 2009)
“Roundabout” – Yes (from Fragile, 1971)
Special thanks to:
-George Wilhelm III
Coming Halloween 2019: Noon Fifteen’s epic prog-pop suite, At the Festival, unveiled in a special super-sized episode. At the Festival tells the story of a man in mourning whose trip to a music festival takes a dark turn toward the supernatural.
Subscribe and share and hear it here first on the Noon Fifteen Podcast!
The third release from the in-progress Finish What You Started record, “The Cell” puts a narrative twist on the common R&B lyrical motif of cheating on one’s lady, with musical inspiration from The Meters. The band also considers their songwriting backlog, and what we’ll be hearing next!
This podcast (and accompanying video) precedes a pause, but the band hints at more music to come. Make sure you subscribe to the podcast so that you can listen in and “Finish What You Started!”
The second release in the episodic Finish What You Started project is the Harry Nichols-penned title track, which describes an unsuccessful relationship through the lens of a mediocre vampire movie. Along the way, the band discusses the career of Oscar nominee Willem Dafoe, considers the evolution of home media technology, and explores the old maxim, “podcast like your parents are dead.”
Referenced in this episode:
Noon Fifteen returns, with new drummer Phil Shay in tow, and host Dan Cole back to plumb the depths of the band’s music.
The band’s sophomore effort, Finish What You Started, will be released in non-sequential installments via this podcast and the Noon Fifteen YouTube channel. The record’s songs explore themes of fear and temptation. The first three releases will coincide with the band’s “Julyfecta” of summer 2019 shows, with additional music forthcoming.
The first release, on July 4th, 2019, is Sam Lupowitz’s “The Tick.” Here, the band discusses the inspiration of Led Zeppelin, Sister Sparrow & the Dirty Birds, and the politics of the United States.
Other music heard in this episode:
The Tick horn ideas – 2015 cell phone voice memo
Hollow Bones – Sister Sparrow and the Dirty Birds
Take Me Down – Jen Cork and the Good Hope
Didn’t Want You – Julia Felice and the Whiskey Crisis
To the Daylight – Thru Spectrums
In the final episode of the Volume 1 podcast, Mandy talks about channeling loneliness, Billie Holiday, and Ben Folds into “Hang Me Out to Dry.” The band also talks about choosing keyboard instruments, putting songs in order, and what’s next.
Also heard in this episode:
Hang Me Out to Dry – Mandy, Sam, & Joe
Early rehearsal/writing session, 2016
Harry talks about breaking away from traditional pop song structure (and accessible song titles) with “Dave Coulier” (track 5 of Volume 1). Sam talks the ups and downs of self-producing a recording project.
Also heard in this episode:
You Oughta Know – Harry Nichols
Original working demo of “Dave Coulier,” 2017
Dave Coulier – Noon Fifteen
-In-studio rehearsal recording, May 2017
-Take 4 (unused), June 2017
-Sam’s rough mix
-Mark Hennessey’s remix
-Sam & Mark’s tweaked final mix
-Gabe Solomon’s final master
One Hell of a Pill – The Flying Pigs
From Same Place Next Year, 2011
Also mentioned in this episode:
Harry discusses Annie’s Song (track 4 of Volume 1) and how fatherhood has changed his writing process. Sam talks about the challenge of writing string arrangements. Mandy realizes it’s time to make a dentist appointment.
Also heard in this episode:
Annie’s Song – Harry Nichols
Original Demo (2017)
Premonition – Julia Felice
From Diving for Falls (2014)
Mecca Song – Samuel B. Lupowitz & The Ego Band
From Songs to Make You Wealthier and More Attractive (2012)